Bedienungsanleitung
Instructions for use
Notice d`emploi
Istruzioni per l`uso
Instrucciones para el uso
Gebruiksaanwijzing
840
840 S
3
840 /
840 S
The
840 has been engineered for the vocalist that
needs the vocals to cut through the band. Due to its
excellent acoustic properties, the
840 delivers a high
signal output to cut through high on-stage sound levels
with ease. A gentle presence boost to even tonal
response ensures vocal clarity and projection.
The balanced frequency response maintains signal
quality when moving on and off axis during performance.
The minimal proximity effect provides for consistently
clear bass-end performance when singing closer to, or
further from the microphone.
The cardioid pick-up pattern provides excellent feedback
rejection and good isolation from incidental rear noise.
The rugged metal construction and internal damping
isolates handling noise.
The
840 S variant features a silent ON/OFF switch.
4
Features
Rugged metal body
Shock-mounted capsule
Frequency-independent directivity
Exceptional feedback rejection
Excellent vocal projection
Humbucking coil
Delivery includes
840 /
840 S microphone
MZQ 800 microphone clamp
Pouch
Instructions for use
Warranty Certificate
ON/OFF switch ( 840 S only)
Use the screw to lock the switch in the ON position. With
the switch set in the ON position, gently turn the screw
head 90° to lock the switch in position.
5
Pin assignment of XLR-3 connector
Removing the sound inlet basket
1
2
3
1
2
3
+
+
1
2
3
XLR
6,3 mm
+
+
1
2
3
XLR
+
XLR
1
2
3
6,3 mm
+
+
symmetrisch
XLR
XLR
+
balanced
6
Positioning the microphone
If sibilance or "popping" occurs, position the microphone
not directly in front of the mouth but slightly to the side.
In order to prevent feedback, position monitor loud-
speakers so that they are located in the angle area of the
highest cancellation of the microphone.
In order to prevent interference due to crosstalk between
adjacent sound sources, try to position the microphone
so that the interfering sound source is located in the
angle area of the highest cancellation of the microphone
(approx. 150°; see polar diagram).
Position
Resulting sound
Commentary
High proximity effect
(much bass/
fundamental)
Powerful, direct sound
Very little crosstalk
from other sound
sources
Less proximity effect
(less bass/fundamental)
Some room ambience,
natural, balanced sound
More crosstalk from
other sound sources
Very little proximity
effect (little bass/
fundamental)
More room ambience,
indirect sound
Much crosstalk from
other sound sources